Avanti Glass
163 Bayview Road, Salt Spring Island, BC, V8K 1L2
Website: www.avantiglass.com
Toll-Free: 1-866-457-2476
Local: 1-250-537-9476
Fax: 1-250-537-9472
Email: artist@avantiglass.com
I am almost entirely self-taught. In 1991 I learned how to use a glass kiln, from books, as there were no teachers in the area at that time (Victoria, BC)
Basic Training:
| 1990: | The Glass Edge Studio, Victoria, BC
Leaded glass design and construction |
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| 1991: | Self-taught - warm glass (fusing techniques) |
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| 1992: | Pilchuck Glass School, Stanford, WA USA
Lost wax casting - Ann Robinson (NZ) |
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| 2003: | Self-taught - lampwork (soft glass) |
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| 2006: | Robert Mickelsen Studios, Melbourne, FL USA
Borosilicate torchwork |
all images click to enlarge
Highlights:
1992 - 1995: Canada Council Explorations Grant to develop a project in cast glass based on objects described in medieval Icelandic literature: "Out of the Darkness - Viking Magic and Mythology"
1996 - 2003: Window commissions only, no studio work
2004: Lady Minto Hospital, Salt Spring Island - design and execution of etched windows in new wing
2006: Our Lady of Grace Church, Salt Spring Island - design and fabrication of two stained glass windows, each 18 sq. ft. for behind the altar. Traditional stained glass techniques - painted and multiple kiln firings.
I operate a working studio/gallery that is open to the public 7 months of the year.
all images click to enlarge
I believe that all my work has its source in my spiritual essence and my connection to my ancestry - a mixture of Icelandic, Irish, Polish and Bohemian (Czech). My life experiences of creating archaeological renderings, traditional native regalia, painting, music and the study of religion/belief systems and religious symbolism all figure into my glass work.
The castings all look as if they have been unearthed, and as if they had their origins in another place and time.
The stained glass and fused work is all very geometric and balanced, yet the use of symbolism in color and design informs every piece.
In each piece, I strive to establish a connection with the past that is not just a representation, but contains the seed of association with the group consciousness of common history.
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